Wednesday, June 19, 2013
Fresh from Across the Pond
Fresh from Across the Pond
From leisurely café settings to romantic beach interludes, Jack Vettriano continues to inspire and reawaken our souls. We are pleased to announce a series of both new and previously out-of-print images that have been re-released.
The Drifter lulls us into a sense of adventure and takes us out of the office to lands far away while Bad Boy, Good Girl gives us guilty pleasure as we question the curious nature of the conversation we accidentally overhear.
Contact your salesperson today about our complete collection from Jack Vettriano and all of our new releases. To see our entire line, visit www.imageconscious.com
From leisurely café settings to romantic beach interludes, Jack Vettriano continues to inspire and reawaken our souls. We are pleased to announce a series of both new and previously out-of-print images that have been re-released.
The Drifter lulls us into a sense of adventure and takes us out of the office to lands far away while Bad Boy, Good Girl gives us guilty pleasure as we question the curious nature of the conversation we accidentally overhear.
Contact your salesperson today about our complete collection from Jack Vettriano and all of our new releases. To see our entire line, visit www.imageconscious.com
Friday, April 26, 2013
"The Cleaners" by Ben Steele
Jean-Francois Millet would certainly never have conceived of works like Gerhard Richter’s Abstract Painting series. Painted over 100 years earlier, Millet’s seminal work, The Gleaners, classically representational as it is, was then regarded as “cutting edge” because its subject, poverty and class, were placed so front and center before the viewer. The first impressionist salons, over-the-top in their “radical departure” from realism at the time, were still a decade away.
Yet through the mind of Ben Steele, Millet and Richter join seamlessly. “I have a friend who had mistaken the title of The Gleaners for The Cleaners. My first thought was how easily, given the position of each of the women in the Millet painting, the act of cleaning-up does comes right to mind. I immediately saw these classic, representative figures as having the job of tidying-up the studio of one of our modern artists.”
And which form of art will stand the test of time? Who will be cleaning up after whom? Only time will tell and Ben doesn’t mind that being a debate he sparks as well. Certainly, you can brighten any room with this wonder blend of classic and modern art paradigms. This Limited Edition Canvas of Steele’s The Cleaners gives you the opportunity show off your knowledge and appreciation of art without having to take sides in the Classic vs. Modern Art debate.
Sizing & Pricing
Fine Art Giclée Canvas:
limited to 50 s/n. 33"w x 24"h. $595
(Gallery Wrap Available for an additional $30.)
Yet through the mind of Ben Steele, Millet and Richter join seamlessly. “I have a friend who had mistaken the title of The Gleaners for The Cleaners. My first thought was how easily, given the position of each of the women in the Millet painting, the act of cleaning-up does comes right to mind. I immediately saw these classic, representative figures as having the job of tidying-up the studio of one of our modern artists.”
And which form of art will stand the test of time? Who will be cleaning up after whom? Only time will tell and Ben doesn’t mind that being a debate he sparks as well. Certainly, you can brighten any room with this wonder blend of classic and modern art paradigms. This Limited Edition Canvas of Steele’s The Cleaners gives you the opportunity show off your knowledge and appreciation of art without having to take sides in the Classic vs. Modern Art debate.
Sizing & Pricing
Fine Art Giclée Canvas:
limited to 50 s/n. 33"w x 24"h. $595
(Gallery Wrap Available for an additional $30.)
Wednesday, April 17, 2013
Olivia's Coop by Morgan Weistling
"Olivia's Coop"
by Morgan Weistling
\
One of the most popular and prized paintings from the 2012 Masters of the American West Exhibition and Sale was Morgan Weistling’s Olivia’s Coop. What attracts so many to his work? It is through his mastery of lighting, atmosphere and mood that he is able to capture the casual nature and whimsy of a child’s interaction their magical and innocent world.
Sizing & Pricing:
Fine Art Giclée Canvas:
limited to 75 s/n. 25"w x 17"h. $395
Fine Art Giclée Canvas:
limited to 25 s/n. 35"w x 24"h. $795
by Morgan Weistling
\
One of the most popular and prized paintings from the 2012 Masters of the American West Exhibition and Sale was Morgan Weistling’s Olivia’s Coop. What attracts so many to his work? It is through his mastery of lighting, atmosphere and mood that he is able to capture the casual nature and whimsy of a child’s interaction their magical and innocent world.
Sizing & Pricing:
Fine Art Giclée Canvas:
limited to 75 s/n. 25"w x 17"h. $395
Fine Art Giclée Canvas:
limited to 25 s/n. 35"w x 24"h. $795
Thursday, March 21, 2013
Alex Echo
The Big Apple, lithograph, paper size: 39.25 x 27 inches
image size: 33.5 x 21.5 inches
The art of Alex Echo is characterized by "pattern painting" - vivid colors, repeated elements and secret codes hidden with in the complex imagery of his work.
Echo had an artistic calling from an early age, winning his first art "competition" in second grade by designing a pamphlet for his school play. Drawn to poetry, scriptwriting, and figure studies, Echo opened his own gallery in Denver in 1980, a decision he calls "a great success, a super experiment." The responsibilities of gallery ownership were followed by a period of exploration and world travel, a migration that took him from Paris to Amsterdam to Mystic, CT, before settling in one of America's oldest artist's colonies, the island of Rockport off the coast of New England. Further stops in Miami and Manhattan led the way the west coast where Echo lives today.
Dedicated to the causes of AIDS care and literacy, the creations of Echo have been displayed in galleries from Japan to New York and featured in Absolut Vodka's Absolut Artists of the Nineties.
The Big Apple, lithograph, paper size: 39.25 x 27 inches
image size: 33.5 x 21.5 inches
The art of Alex Echo is characterized by "pattern painting" - vivid colors, repeated elements and secret codes hidden with in the complex imagery of his work.
Echo had an artistic calling from an early age, winning his first art "competition" in second grade by designing a pamphlet for his school play. Drawn to poetry, scriptwriting, and figure studies, Echo opened his own gallery in Denver in 1980, a decision he calls "a great success, a super experiment." The responsibilities of gallery ownership were followed by a period of exploration and world travel, a migration that took him from Paris to Amsterdam to Mystic, CT, before settling in one of America's oldest artist's colonies, the island of Rockport off the coast of New England. Further stops in Miami and Manhattan led the way the west coast where Echo lives today.
Dedicated to the causes of AIDS care and literacy, the creations of Echo have been displayed in galleries from Japan to New York and featured in Absolut Vodka's Absolut Artists of the Nineties.
Wednesday, February 27, 2013
Robert Deyber’s artwork is full of surprises. Every canvas revels in the artist’s sense of humor, each painting a visual rendering of a clever turn on a common phrase. Despite his sense of fun, however, Robert Deyber is a seriously skilled painter.
Robert Deyber, Jack Rabbit,
hand-crafted stone lithograph
paper size: 9 x 9 inches.
Robert Deyber, Jack Rabbit,
hand-crafted stone lithograph
paper size: 9 x 9 inches.
Wednesday, February 13, 2013
"Winter's Eve"
by Rod Chase
Chase returns to Washington, D.C. as the source of inspiration for his latest painting of the White House.
"Collectors often ask if my Foundation of Freedom series is politically motivated, to which I reply 'no'. Although I actively follow what happens in Washington, these paintings are created out of a deep appreciation for our country and a fascination with her history and architecture.
I am challenged by the idea of taking some of the most familiar buildings in America and presenting them with a fresh vision. Once the painting process begins, I am concerned mostly with 'how things look'. Can I capture the light reflecting off the moisture in the air? Does the snow look crunchy or soft? Are the tree limbs convincing? Is the architecture accurate? These are the things that concern me."
- Rod Chase
Interesting facts:
George Washington chose the site for the White House in 1791.
James Hoban was selected as the architect.
John Adams became it's first occupant on November 1st in 1800.
by Rod Chase
Chase returns to Washington, D.C. as the source of inspiration for his latest painting of the White House.
"Collectors often ask if my Foundation of Freedom series is politically motivated, to which I reply 'no'. Although I actively follow what happens in Washington, these paintings are created out of a deep appreciation for our country and a fascination with her history and architecture.
I am challenged by the idea of taking some of the most familiar buildings in America and presenting them with a fresh vision. Once the painting process begins, I am concerned mostly with 'how things look'. Can I capture the light reflecting off the moisture in the air? Does the snow look crunchy or soft? Are the tree limbs convincing? Is the architecture accurate? These are the things that concern me."
- Rod Chase
Interesting facts:
George Washington chose the site for the White House in 1791.
James Hoban was selected as the architect.
John Adams became it's first occupant on November 1st in 1800.
Wednesday, January 23, 2013
Holding the Family Together by Steve Hanks
Holding the Family Together
by Steve Hanks
“Most people will look at Holding the Family Together and see it as a reminder of a happy family vacation and that’s great,” says artist Steve Hanks. “For me it is about the man in the painting more than anything else. It is about the man’s position in society these days and how the pendulum has swung the other way and put men in this position—trying to keep the family together while they’re all going in different directions. Dad is almost down on his knees trying to hold this family together and no one really sees him. There’s also something in this painting about the separation of the sexes during the 1960s, when I came of age, with the women’s movement. I think the ground was shifting for all of us.”
Whatever personal stories you may read into Holding the Family Together, it is also a moving landscape with its soft white foam, foggy shoreline and summer air. A MasterWork Canvas at 48” x 21” captures the drama of this Hank’s work at size. For those whose memories are stirred by the sophisticated beauty of this work by have slightly less space available for display, a 34” x 15” Fine Art Canvas is available as well.
Sizing and Pricing:
Fine Art Anniversary Giclée Canvas:
Edition not to exceed 100 s/n.
34"w x 15"h. $495
MasterWork™
Giclée Canvas:
Edition not to exceed 50 s/n.
48"w x 21"h
(unstretched). $795
by Steve Hanks
“Most people will look at Holding the Family Together and see it as a reminder of a happy family vacation and that’s great,” says artist Steve Hanks. “For me it is about the man in the painting more than anything else. It is about the man’s position in society these days and how the pendulum has swung the other way and put men in this position—trying to keep the family together while they’re all going in different directions. Dad is almost down on his knees trying to hold this family together and no one really sees him. There’s also something in this painting about the separation of the sexes during the 1960s, when I came of age, with the women’s movement. I think the ground was shifting for all of us.”
Whatever personal stories you may read into Holding the Family Together, it is also a moving landscape with its soft white foam, foggy shoreline and summer air. A MasterWork Canvas at 48” x 21” captures the drama of this Hank’s work at size. For those whose memories are stirred by the sophisticated beauty of this work by have slightly less space available for display, a 34” x 15” Fine Art Canvas is available as well.
Sizing and Pricing:
Fine Art Anniversary Giclée Canvas:
Edition not to exceed 100 s/n.
34"w x 15"h. $495
MasterWork™
Giclée Canvas:
Edition not to exceed 50 s/n.
48"w x 21"h
(unstretched). $795
Monday, December 24, 2012
George Mamos introduces:
'The Garden City Collection'
"The Big Event at St. Paul's School"
Available as artist HAND: signed, numbered & embellished (over-painted), limited (350 worldwide) edition graphics
40 "x 30" Archival Giclee on artist grade canvas $1,600
24" x 20" Archival Giclee on artist grade canvas $750
14" x 11" Archival Giclee on artist grade canvas $250 (edition of 900)
- ORIGINAL 2012 20" x 24" oil on canvas - Custom Framed - $5,500
Sunflower Fine Art Galleries, Mirrors and Picture Framing
172 Seventh Street
Garden City, NY 11530
516-747-7406
'The Garden City Collection'
Available as artist HAND: signed, numbered & embellished (over-painted), limited (350 worldwide) edition graphics
40 "x 30" Archival Giclee on artist grade canvas $1,600
24" x 20" Archival Giclee on artist grade canvas $750
14" x 11" Archival Giclee on artist grade canvas $250 (edition of 900)
- ORIGINAL 2012 20" x 24" oil on canvas - Custom Framed - $5,500
Sunflower Fine Art Galleries, Mirrors and Picture Framing
172 Seventh Street
Garden City, NY 11530
516-747-7406
Subscribe to:
Posts (Atom)
